I’ve made some mentions of the Die Hard clone in recent months in reviews of Sudden Death, Olympus Has Fallen, and more. Now, just because you’re the first do something, or the one who sets the trend doesn’t always mean you did it best. However, in the case of John McTiernan’s blockbuster action film Die Hard, there is simply no equal. While I don’t list it as my number one favorite of all time, I cannot deny that this is likely the best action movie ever made, and there are a lot of qualities that go into making it that exceptionally awesome.
NYPD Detective John McClane (Bruce Willis) has come to Los Angeles to spend Christmas with his estranged wife Holly (Bonnie Bedelia) at her company’s holiday party. However, as he waits for the festivities to end, the entire building is taken over by a heavily armed team perceived as terrorists, but their sinister leader, Hans Gruber (Alan Rickman), reveals that his interest is purely in greed. As the hostages are rounded up, McClane slips away with only his service revolver and his cunning wits at his disposal. What begins as a perfectly planned crime quickly ignites into McClane waging a one man war to save everyone before they are all blown sky high.
There are many things that set Die Hard apart from everything else, but I think the biggest key of it are the characters. Beyond just the performances, this film takes its time to introduce them to you, and allow for their dynamics and personalities to play out before any of the action begins. This is mainly the development between John and Holly McClane. Their turbulent marriage is fleshed out in smart, subtle beats that never feel like exposition, just natural conversation. These are real, relatable people in a grounded reality with normal problems that are soon thrust into an extraordinary situation, and because we get to know these characters through levity and emotional conflict, we care greatly about them once peril befalls them. Even the villains are given their due time to feel fleshed out and dimensional such as how Hans Gruber discusses men’s suits, art, and culture with Takagi before threatening him with a gun for the password to his vault. These moments make Gruber an interesting and engaging villain who has a fairly equal amount of depth to John McClane. This way, it is also a battle of wits and personalities as much as it is a pure action conflict. This is so much due to the time director John McTiernan and his screenwriters took to slip those important character building moments into the film, and that makes it a greatly more substantive action film that you would regularly get in any decade.
Now, the 1980’s were filled with the larger than life, nigh indestructible action hero. Then, comes along John McClane. This guy who is as vulnerable as the rest of us that gets beaten up, his feet sliced up by glass, bleeds everywhere, feels fear, and gets progressively worse for wear as the film goes on. All the while, under the intense stress of a violent life or death scenario, he’s cracking wise with everyone left and right just doing what he can to cope and survive. Where a Rambo or John Matrix type would just burst in blazing a full arsenal to wipe out everyone, McClane has to be clever and cautious every step of the way against these extremely well-armed killers. All he has is his wits, and Bruce Willis’ well established comedic talents blended perfectly into the quick witted quips of McClane. I’m sure there was speculation abound leading up to this film’s release as to Willis’ ability to be an action hero because of doing so many comedies, but he was able to bring a completely unique identity to this role that is hard to match. While it is the wisecracks that we remember so much, the purely human moments of drama really sell this character as one that stands apart from so many others. Bruce Willis really shows that he could do the full spectrum of acting here as he leads this film with charisma, heart, and physical intensity. He brings a fresh dimension and grounded realism to McClane that makes him the beloved, very human, bad ass icon that we so love.
Just how McClane is a distinct departure from the action heroes of the day, Hans Gruber distinguishes himself from many of the over the top, cheesy villains of the 80’s. Alan Rickman is brilliant as Hans Gruber. What truly makes this so is that he’s not obvious at all. Gruber is a guy who is smart, charming, smooth, educated, and charismatic. Yet, he’s a calculated, clever, ruthless villain. You can see that Gruber had every single detail of this plan plotted out perfectly, and is able to outsmart and keep ahead of everyone except for the one wild card in his brilliant crime in John McClane. As much of an sociopathic, murderous villain as Gruber is, you can be thoroughly entertained by the charisma and intelligence Alan Rickman injects into him, but you still rejoice when McClane finally does him in.
A little unexpected humor arises from the less than sharp minded LAPD and FBI. Paul Gleason’s Chief Robinson is clearly in over his head exercising clear incompetence while thinking he’s got everything under control. Then, FBI Agents Johnson and Johnson, a joke in and of itself, are too full of themselves with their gung ho testosterone to be perceptive enough to know when they’re being played. Add in more competent, yet still funny characters like Argyle the limo driver and Theo, Hans’ charismatic safe cracker, you’ve got laughs for miles without damaging the serious integrity of the action and drama of the movie. This is seriously one of the most quotable action movies ever.
Yet, amidst all the explosive thrills and well-timed humor, we get the tether of humanity with Sergeant Al Powell. Reginald VelJohnson connects perfectly in this role bringing the tired, wounded, and alone McClane into contact with someone on the outside who can be a moral and emotional support. An action film is great when the thrills are exciting and bombastic, but you get something exceptional when this thread of humanity is so strongly in place. VelJohnson gives us the full spectrum from lovable and funny to heartfelt and compassionate to stern conviction. Powell is ultimately given some depth and substance showing that this film wasn’t going to take a shortcut anywhere at all. The very human moments between Powell and McClane are a special strength.
But indeed, the action is ultimately the driving force of this movie, and once that spark of excitement is lit, it runs on pure adrenalin with riveting intensity and masterful execution. This is big action with a real sense of gravity and peril. The scale makes it amazingly fun and exciting while the weight of the drama makes it suspenseful and electrifying. I love the subplot with Karl’s vendetta against McClane for the murder of his brother, and when the two finally clash, it’s awesome. After all of the heavy gunfire and explosions, the few minutes of visceral raw physicality are a breath of fresh air before the scale of the action escalates further with the roof exploding signaling the third act rocketing forward. Die Hard does nothing but amaze you at every turn. Every step of the way, we care about these characters in the thick of danger, and we gradually see it escalate as Gruber’s plan unfolds. It’s also great seeing McClane figure things out a little at a time, such as wondering why Hans was on the roof, and then, realizing he plans to blow it sky high with all the hostages on it.
I tend to write these reviews while watching the movie so to pick up on all the nuances, but Die Hard is so consistently engaging, thrilling, and entertaining that I could hardly tear my attention away to type anything up. Whether it is the absolutely wickedly awesome action, the touching character building moments, or the great laughs it elicits from an audience, Die Hard is the perfect example of executing an action film correctly. There’s not a moment wasted, and the editing is dead-on sharp and perfect in its pacing and timing. Moments are so excellently punctuated with the right cut, and even more so with Michael Kamen’s remarkably intense and spectacular score. His is a masterwork of brilliant, sophisticated action film compositions. Not to mention, this is an expertly shot movie using those beautiful anamorphic lenses and that cinemascope widescreen canvas to accentuate the scale of the action. And where many action films today can barely keep the camera steady long enough to understand the geography of a single scene, McTiernan and cinematographer Jan de Bont do so many subtle things to layout the geography of this entire building. Early on, they walk you through the entire central area of the Nokatomi Tower over the opening credits so you understand where the hallways, elevator, offices, and stairway are so we can navigate it as competently as the characters. As the film goes on, we revisit the conference room, the elevator shafts, and the roof to maintain a familiar environment for the action. As a film lover and a filmmaker myself, this movie just makes me gush from a technical standpoint as it is so perfectly executed in every moment. This film is exquisitely made from a massively talented team of filmmakers, sonic geniuses, and brilliant visual artists.
This film was adapted from the Roderick Thorp novel Nothing Lasts Forever, and many of the mind blowing and clever moments in the film are taken directly from the novel. McClane’s jump from the exploding roof with the fire hose wrapped around him, the C-4 bomb thrown down the elevator shaft, and more exist in Thorp’s novel. Apparently, it was a novel written as a sequel to The Detective, starring Frank Sinatra, but he declined the role. Years later, it was supposedly intended as a sequel to Commando, starring Arnold Schwarzenegger, before being re-fashioned into the action classic that we now know and love. Indeed, everything has its right time to come to fruition, and Die Hard happened in the right way at the right time with the right talent.
Between this and Predator, John McTiernan established himself as one of the premiere action movie directors of the time, and of course, this launched Bruce Willis into blockbuster super stardom. Despite how Willis now feels about doing action movies, saying he’s bored with them at this point, we will always have these pinnacles of the genre when Willis was in his prime and eager to do his absolute best. Die Hard is probably the most perfect action movie I have ever seen as it hits all of the beats of excitement and character just right with a spot-on mix of drama and humor to make it an undeniably memorable experience. For anyone who has only ever seen either the fourth or fifth film in this franchise, you are doing a horrible disservice to yourself in basing the quality of Die Hard on those films. As I said from the start, there is simply no equal.
Recently, in order to expand the exposure of Forever Cinematic, I have begun doing video movie reviews on YouTube. Now armed with my new high-definition camcorder, I’m putting forth fast paced reviews that summarize my feelings and critiques on various films. Mainly, I am reviewing newly released films alongside the written reviews, but in lulls between those reviews I am taking stuff from the archives to further publicize the back catalog of reviews I’ve done. The video reviews are an extension of the written ones, and I will not be doing a video review of something I have not done a written review of first. These video movie reviews only enhance the content, not replace it.
So far, listed below these are the video reviews I have done which are posted to the RavensFilm Productions YouTube Channel. The first two were shot prior to obtaining my Sony HDR-CX580V camcorder, and so, they are in standard definition quality. From Miami Vice forward, you get 720p HD in 24fps which is a massive upgrade on every technical level. There will also be occasional Forever Cinematic “Specials” where I maybe do a Top 5 list, spotlight some bad movies I own, do a run through of my complete Star Wars home video collection, or whatever else strikes me as fun and entertaining. I hope you will enjoy these videos, share them around, and subscribe to the RavensFilm Productions YouTube Channel to catch all the new videos as they are posted. Thanks much!
I so wanted to start this review with the emphatic words, “THEY GOT IT RIGHT!” Now, this is not to say this movie doesn’t move G.I. Joe into the right direction, but it left me lacking for many reasons. One of them being that this movie had too many trailers that spoil too much. If you’ve seen all three trailers for G.I. Joe: Retaliation, there are not many surprises left for you here. But frankly, the big problem with this film is that the villains and far more entertaining and memorable than the heroes. Simply said, I wanted Cobra to win because I didn’t care about the Joes.
Mercenary and master of disguise Zartan, who is still impersonating the President of the United States (Jonathan Pryce), frames the G.I. Joes as traitors, and has them terminated. However, three survive in Roadblock (Dwayne Johnson), Lady Jaye (Adrianne Palicki), and Flint (D.J. Cotrona) who must go it alone in order to fight back against those who conspired to kill them and their fellow Joes. Meanwhile, Storm Shadow (Lee Byung-hun) and Firefly (Ray Stevenson) initiate a prison break to free Cobra Commander (Luke Bracey, voiced by Robert Baker) to set the next stage of their plans forward. Cobra Commander’s plan is to eliminate the world’s nuclear weapons so that Cobra can take over the world by threatening to use its massively destructive Zeus space-based weapon. Roadblock, Lady Jaye, Flint, Snake Eyes, and Jinx team up with General Joseph Colton (Bruce Willis), the “original” G.I. Joe, to stop Cobra Commander from implementing his plan and expose their treachery to the world.
What this sequel gets right that the first didn’t was the tone and style. There are high tech gadgets and such peppered throughout the movie, but on the whole, this sequel features more visceral weaponry and warfare. No more energy weapons, no more holograms. This has a more grounded feel while still giving use a technological boost to make the story and scenarios work. Also, the CGI is vastly superior in every way. There wasn’t a single moment where my eyes caught a badly rendered shot, or witnessed anything that looked discernibly CGI. Another thing that is gotten right are the iconic characters themselves. Cobra Commander looks like Cobra Commander, and feels like a serious take on the character being a ruthless leader of a terrorist organization hell bent on dominating the world. Although, with the now slightly garbled and digitally processed voice for him, at times, it can be difficult to understand what he is saying. However, all in all, I was far more pleased with this representation of the character which never does anything to blatantly contradict who he was in the previous film. At most, it’s barely acknowledged in order to simply move forward without dragging undo baggage along.
The action sequences are greatly done giving us that tougher, more hard edged style. It feels like more straight forward military combat using recognizable tactics and weaponry. It’s all generally well shot, but the camera can get a tad too unstable with some editing that is slightly quicker than necessary. It’s a very tame shaky cam / quick cut mentality that really shouldn’t detract from your experience. This is mostly seen in the close quarters combat, or when Snake Eyes and Storm Shadow fight. That is another great confrontation that is again treated like a special attraction, but like before, we don’t get nearly enough of it. Probably the best action scene is with Snake Eyes and Jinx fighting the ninjas on the mountain side swing back and forth taking shots and slashes at each other. It’s dynamic, fun, and dangerous with plenty of smart turns. I like the touches the filmmakers threw in where some of the ninjas either miss the zip line or hit a rock formation, causing them to plummet to their deaths. It’s a very nice, smart touch that simply sells the precarious peril of the situation. I also loved the clever setup and execution of the jailbreak sequence. It had a lot of great touches that made it intriguing to watch unfold. However, the problem of this film is that there is so much action but so little plot to justify it.
And even then, the plot itself doesn’t always flow smoothly or coherently. At times, some plot elements feel disjointed and rushed. This happens in one section of the movie early on in two segments. First, we are introduced to Jinx as she trains with Snake Eyes while Blind Master, portrayed poorly by RZA, imparts some abrupt exposition in voice over that is just dropped on us without context. There’s no setup to anything he’s saying about Snake Eyes having to locate Storm Shadow and bring back to face justice for what he did to their clan. It’s just, “Where did this subplot come from? What does this have to do with the main plot of this film?” It just drops into the movie as if you missed a string of scenes somewhere. Jinx has essentially no real introduction here. She just happens to be there, and we’re just supposed to happen to know who she is. Also, once Storm Shadow is there facing judgment, a whole bunch of new exposition gets breezed through in a flash about who really killed their master and why. It’s very jarring and poorly handled as if they thought up this subplot on the fly and just crammed it into a tight corner of the movie just to have it there. Even then, how Storm Shadow and everyone else jumps around from one conclusion to the next follows no stream of consciousness. It’s implausible how they make these rapid fire connections and revelations. It’s awful screenwriting and direction. And again, RZA can’t act worth a damn. Every line he delivers just sounds terrible. So, I have no idea why they cast him in this role of a wise martial arts sensei. He puts in the worst performance of the entire movie. Yes, he is an exponentially worse actor in this movie than Channing Tatum, who actually does a better job in this film than the last.
There is also a scene where Roadblock, Lady Jaye, and Flint setup a plan to get close to the imposter President in order to confirm their suspicions and expose him. However, the scene is laid out without really understanding what their plan is. Roadblock is setup outside ready to take a shot at President Zartan after he’s lured out of the banquet hall, but it’s never understood what they plan to accomplish by doing this. This sequence came off as confusing and disjointed because there’s no setup to understand what their ultimate goal is or what everyone’s purpose is in the scene. It seems it served two purposes. One, just to clue the Joes in on who was impersonating the President, and two, to setup another action scene where Roadblock and Firefly throw down. It’s a damn good action sequence, but it was a lot of clunky screentime used up with little purpose.
The film has so much action and little plot that once we were actually in the third act, I couldn’t be sure it was the third act. The movie doesn’t ramp up to another level of tension or urgency to signal that these action scenes are any different than the half dozen we’ve already gotten in the movie. And the other problem is that I was more engaged by the villains than the heroes. I didn’t want to see Cobra get defeated. I liked those characters because they made the movie fun and entertaining. I kept waiting to get back to seeing Cobra Commander, Firefly, and Zartan conspiring about evil schemes, and having loads of fun doing it.
Now, the most I will confirm to you about Channing Tatum is that he doesn’t have a lot of screentime. I know I’m going to deserve a kick in the head for saying so, but I think the movie would have been better if he was in it more. Tatum and Dwayne Johnson do have excellent comedic chemistry that really entertained me, and made their characters really fun and exciting. This made Duke and Roadblock lively, relatable characters that I wanted to spend time with. If we had this chemistry flowing through the whole film with them teamed up and trading sharp quips, taking on Cobra with a smile on their faces, I think I would have been more engaged by the heroes. Instead, they fall kind of flat.
While Dwayne Johnson puts in a good performance, it just doesn’t seem like he was portraying a character. It just seems like Johnson being himself, more or less. There’s nothing distinct about Roadblock apart from Dwayne Johnson. I didn’t really see a character in there that had his own distinguishing characteristics or attitude. Maybe this is also a script problem, but you can watch an interview of Dwayne Johnson and he doesn’t seem any different from how he is in this role in this film or any other film he’s been in. As the heroic lead of the movie, I felt letdown. He doesn’t inject enough weight or action hero mentalities to really support this film the way it needed to be. Once he no longer had Tatum to bounce that charismatic, funny personality off of, I found myself no longer invested in Roadblock at all.
Even Bruce Willis seems like he’s just being lazy Bruce Willis here. There’s almost nothing more he does in this film than what you saw in the trailers. General Joe Colton is a bland character with no depth, no interesting qualities, and no real back story given that links him with the G.I. Joes. He’s mostly there just so they could have Bruce Willis in the movie for name recognition. I’ve never seen him do so little in a role before as he does here. What this movie needed was strong leads as strong characters with a real vibrant, passionate, gung-ho attitude, but no one here has that at all.
The rest of the Joes, aside from the always cool Snake Eyes, are throwaways. By the time the film bothers to give us any insight into who they are, I had already stopped caring about who they were. Jinx isn’t even given that much. These are characters put into the film to fill out the plot and nothing more. The script barely does anything with most of them, and the actors in many of these roles aren’t engaging, charming, particularly charismatic, or especially memorable. They were just there, and I didn’t connect with any of them.
Conversely, same as with the first movie, we get great villains that make the movie as enjoyable as it is. As I said, Cobra Commander gets the perfect makeover finally giving us the iconic chrome mask and militaristic garb. He’s given a great presence, and an intimidating driving purpose in the story. Destro is mentioned and technically seen, but Cobra Commander chooses to abandon him during the jailbreak sequence (which features a wonderfully funny and sharp performance by Walton Goggins as the warden). Cobra Commander is a great villain being very single-minded but also intelligent and cunning. He’s not the excitable, egotistical fool from the 1980’s cartoon. He is very much like a cobra – sharp, deadly, and fierce. I want to see more of him!
Although, I have to say my favorite villain here is Firefly, portrayed by Ray Stevenson. Frankly, Stevenson is a born bad ass. I have yet to see this man do wrong in anything he’s done, and he is an absolute pleasure to experience as this rugged, smart mouthed villain. Being a major fan of what he did as the Punisher, I bought into every second of his action scene abilities here. He clearly had a lot of fun digging into this character which is full of evil charisma and wit. He probably has the most action scenes to his credit in this movie amongst all the villains, and I couldn’t have been happier to see him kick some ass.
And color me impressed by Jonathan Pryce sinking his acting talents into President Zartan. Arnold Vosloo has not even a minute’s worth of screentime in this movie, and so, the portrayal of Zartan as the President falls entirely on Pryce. Like Stevenson, he was having loads of fun being this charismatic, playful villain. He is so much fun to watch, and not for an instant did I doubt he was fully into being Zartan in disguise. Pryce usually portrays rather sophisticated, cultured characters, but this gave him the chance to just chew a little scenery and be a total bad guy that was loving every minute of it. Cobra Commander, Firefly, and Zartan just make an excellently entertaining trio of bad ass bad guys.
And Byung-hun Lee does put in another excellent performance as Storm Shadow, but the story takes him in another direction than we saw before. However, it is entirely in line with the character’s history as he has switched loyalties before, but I just wish his motivations had a better build up and pay-off. This is in relation to the rushed and disjointed exposition scenes I mentioned previously. It didn’t sell his turn in the story at all to me, and I kept waiting for him to pull a double-cross to make at least one satisfying plot turn for Storm Shadow.
In terms of creative direction, tone, and style, this is absolutely the better G.I. Joe movie. It never outright contradicts the first movie, but instead, strips away what wasn’t palatable and make it a leaner, tougher action franchise. However, the plot is kind of clunky never really finding its footing, and never adequately conveying the stakes or objectives to the audience. It’s clear the characters know what they’re doing, but not often enough does the audience understand where things are going, what characters are planning, or what the scope of the threat truly is. Frankly, I think the filmmakers weren’t that concerned with that. The movie is generally fun, exciting, and technically well made, but the plot seems to exist for no more than to string a series of action scenes together. There is a main plot here that is very good, does work, and could work amazingly well if handled with more care. Unfortunately, the filmmakers just seemingly didn’t know how to utilize solid, fleshed out, and well flowing storytelling skills to make this plot fill up the movie. You could take out maybe two extraneous, if not well done, action scenes, and use that screentime to smooth out the jagged edges in the story. Use it to bridge the gaps and convey characters’ intentions as they move forward in the plot. I just never got that feeling that the plot was developing towards an apex, or that even the heroes themselves knew what the stakes were going forward. It seems the most the filmmakers felt we needed to know is that these are the good guys and they need to stop the bad guys. If Paramount Pictures really did postpone the release of this movie at nearly the last minute to do a good chunk of re-shoots, I’m not sure what they were for except for maybe a single scene with Johnson and Tatum trading witty banter over some target practice. It was a fun scene, but could’ve easily been cut. I don’t think they shot anything to flesh out or smooth out the story more because, obviously, it could still use some work. While this movie might have gotten squashed if released last summer, I’m not sure how much better it will fair in this early Spring release.
While I would recommend seeing G.I. Joe: Retaliation to an extent, I still wouldn’t recommend it above Olympus Has Fallen. That was a much better put together action movie on every level than this with an action lead that an audience could really get behind. I’ll be interested to see if this G.I. Joe sequel gets an extended cut on Blu Ray because it could benefit from some added scenes of plot and character. Ultimately, the entertainment factor for me entirely came from Cobra. When the film was focusing on the heroes, I couldn’t wait until we cut back to the villains. They were just all kinds of enjoyable because the actors were charismatic and vibrant where the heroes where one dimensional and rather bland. I mean, in a film where all of their friends and fellow soldiers are violently blown to hell, you’d think these heroes would have a fiery passion lit underneath them. You’d think they’d be ready to throwdown an all-out assault, and wage a take-no-prisoners type of war against Cobra. Unfortunately, there is no such fierce emotional drive to these heroes, and that’s what made them fall flat for me. If you just want a slew of really good action scenes, this film will deliver that for you, but director Jon M. Chu is not the most competent storyteller. Maybe there was studio interference that resulted in making changes here and there due to supposed poor test screening response. But if there’s one thing you don’t sacrifice is good storytelling. There was a really good story here, but not the right storytellers to make it good enough.
It has been not the best summer of movies for me. Aside from two nice surprises, most of what I’ve seen has ranged from average popcorn fare to crap I want to avoid like the plague. So, after the last few films I saw being well within that low end of the spectrum, I am so glad that many of the world’s greatest action heroes have come along to salvage the end of my summer movie season! While The Expendables 2 has some factors that keep it from matching the original, overall this is just a big, fun action flick that is what summer movies are supposed to be about.
After taking a seemingly simple job for Mr. Church (Bruce Willis), the Expendables find their plans going awry after encountering sadistic rival mercenary Jean Vilain (Jean-Claude Van Damme). The Expendables set out – with help from Maggie (Yu Nan) – to seek revenge in hostile territory, where the odds are stacked against them. Hell-bent on payback, the crew cuts a swath of destruction through opposing forces, wreaking havoc in an attempt to shut down an unexpected threat – five tons of weapons-grade plutonium which is more than enough to change the balance of power in the world. However, that’s nothing compared to the justice they intend to serve against the villainous adversary they seek revenge from.
Now, the only thing I felt held this film back was just it’s 102 minute run time. If this had been a solid two hour film, I think it would’ve had the time to beef up a few aspects. Jean-Claude Van Damme makes for one massively awesome villain. He easily and deeply sinks his teeth into the role, and his vicious physicality sells so much of the character’s vile ferocity. Van Damme plays the material with a lot of zeal and charisma. You can clearly see there’s a lot of potential substance to Vilain, but the film doesn’t give the character much screentime or material to develop the richness Van Damme puts into the role. We get just enough to sell his status as a villain, but not enough to really build up his threat level. Partly because of this, the climax seems to come a little too quickly. I had hoped for some more momentum to build up in the film before the full-on firestorm rained down. In the first film, the villains were given ample screentime to develop fully, and they were tied deeper into the plot. Both films have generally the same runtime, but the first film just seemed to make more of the time it had.
On the upswing, the entire cast seems like they were having a wonderful time shooting this movie. Stallone has plenty of great chemistry with everyone, but I think the best material is between him and Statham. Barney Ross and Lee Christmas just feel like such good, long time friends who can constantly take light-hearted jabs at one another, and are totally in sync when it’s time to throw down. It’s a great, inspired pairing that brings so much levity to the film. It really makes it a fun ride. Action-wise, Jason Statham continues to shine with several knife fight scenes which are brilliantly executed and choreographed. Nice touches are maintained with his character as they keep alive the relationship between Lee and Lacy, portrayed by the lively Charisma Carpenter. Unfortunately, Jet Li departs the film after the opening action sequence, but he’s still given his moment to shine. Chuck Norris’ role of Booker is full of fun humor that plays up the exaggerated internet humor of Norris’ superhuman feats. It’s very well done. The only negative mark with Norris is that he only ever fires a gun. There is no martial arts action from his limited appearance in the film. He doesn’t have anything more than an ancillary action role. He shows up in two action sequences, and has a nice departure at the film’s end. Sure, the script didn’t require his character to be there, but he does add to the fun of the movie.
While Stallone stepped down from the director’s seat, he remained as co-screenwriter, and you can still see his talent there. The first film had its fine touches of emotional depth, and we are treated to some of the same here. We get a fine amount of substance from Billy that Liam Hemsworth does a perfect job with, and really makes an impact upon the film. He seemed like a very solid addition to the team, and proves his worth opposite some heavyweight talents here. Barney Ross has more forefront time in this movie as he develops a solid relationship with Yu Nan’s Maggie Chen. He has his soul bearing moments with Maggie that bring a lot of dramatic and emotional strength to this very testosterone pumping movie. Yu Nan does an excellent, charming job showing both a compassionate, insightful side and being a more than capable fighter. She has plenty of physicality to offer in the action sequences beyond just gunplay that is very impressive. I think it was a very excellent idea introducing her character into the mix. Surely, it offers up something a little more for the women in the audience to connect with, but in general, it’s good storytelling and screenwriting. Barney is able to open up about certain things that can only be inquired of by an outsider, a character that is learning more about him along with us. I liked Maggie right from the start. She’s smart, cunning, humorous, and clearly doesn’t shy away from danger. She’s exactly on the same level as the rest of the team, and more than proves her worth to them time and again. I would love seeing more of her in The Expendables 3.
Lundgren, Crews, and Couture continue to be entertaining and ass kicking. Dolph definitely has been given a great, amusing character that everyone plays well off of. Bruce Willis is absolutely great as Mr. Church. He’s another actor who could play one hell of a magnificent villain when given the chance, but he eventually fights side-by-side with the good guys giving him the opportunity for some funny quips. Him and Schwarzenegger exchange their signature catch phrases late in the film, and it’s a total riot hearing them throw each other’s own lines back at one another. Arnold has never had a problem embracing the self-referential humor of his iconic characters, as evident by Last Action Hero. He’s having the time of his life here playing off of Bruce, Sly, and even Dolph. It’s pure fun watching Arnold in this movie. He kicks a lot of major ass, and gives us plenty of that classic charming Arnold humor we’ve all loved for decades now. It really comes down to the fact that these are all guys who love action cinema, and are making these movies as a real, honest love letter to the genre’s fans. The Expendables showed us exactly what we had been missing in the action genre for so long, and this sequel continues on that great, vibrant, explosive trend of entertainment! Everybody gives it their all in these movies!
And OH YEAH! You will get your fill of amazing action here! Director Simon West shows he’s still got the chops he put on display back with Con Air. However, this cranks up the volume and brutality further than he’s ever done before, and you’re damn right there’s blood! This is a hard R rated action movie that doesn’t hold back. Right from the start, we get slam bang, smart, innovative action that delivers on every level. It’s fiery, loud, adrenalin fueled, and just flat out fun! You see these guys at the start charging in to storm of the stronghold, and you know you’re in for a bad ass thrill ride! They pull out the big guns, the large caliber ammunition here all the way through! Stallone, Statham, Li, and Van Damme show off their physical abilities greatly in various action sequences. However, nothing beats out the climax of Stallone and Van Damme throwing down. You’ve got the brute force of Barney Ross combating the vicious martial arts expertise of Vilain, and they are true hardcore heavyweights. Stuff that would take down the average person in an action movie doesn’t even take these guys off their feet. Getting busted up with a chain, hurled across the room into a metal gate, and just plain visceral brutality is something both men are able to take and more. This is one of hell of an awesome climax that is worth the price of admission alone. The build up to it by Van Damme is wicked. He thrives so much in this role in this scene that it punctuates wanting to have seen a lot more of Vilain throughout the movie. Jean-Claude is clearly loving this character so much, and he puts every charismatic ounce of enthusiasm on display. I think it’s a brilliant and amazing villainous performance.
The cinematography of Shelly Johnson is rock solid. He also lensed Captain America: The First Avenger, and shows just as sharp of an eye for action here. Every shot maintains a sense of action geography to know who is doing what, where they’re doing, and who they’re doing it to. It fully puts the fiery, explosive, bloody action on excellent display for an audience to indulge in completely. The editing of Todd E. Miller never embraces rapid fire cutting. He lets the action play out competently and smartly. There’s great action choreography to behold throughout the film, and both Miller and Johnson want you to see all of it. These are some smart and highly capable filmmaking talents here that know the mechanics of a great action film.
The story is your straight forward revenge plot, but it is handled well. Again, it would’ve been nice to have more develop between the heroes and villains. Maybe have Vilain just slip through their fingers at some point, and thus, further fueling their hunger for revenge. They get so close, but he gains the upper hand, almost laughing at them as he escapes. I think something like that could’ve increased the film’s momentum towards the climax. Between the time they first encounter Vilain and corner him at the airport for the film’s climax, they don’t come close to encountering one another, and that’s roughly an hour apart. So, we never really get much of that adversarial conflict boiling up between Barney and Vilain, but Stallone and Van Damme surely hold none of that back when they do finally clash. The film might indulge itself too much with its start studded cast at the expense of a meatier plot, but it never sacrifices entertainment value at any point whatsoever.
Ultimately, what you expect is exactly what you get with The Expendables 2. There is no film this summer that has had action anywhere near as huge as what this film offers. Plain and simple, this is pure bonafide FUN! With a collection of some of the greatest action heroes alive today, you really cannot go wrong here. With the names that are being thrown around for a third film, I’m very intrigued at what more these filmmakers are looking to pull off. A return of Mickey Rourke would be awesome as well. This franchise is all about rekindling the best aspects of the classic big summer action movie, and as long as Stallone is creatively involved I think we’ll continue to get our money’s worth. I don’t think this film lost anything with Simon West in the director’s chair, and I would easily welcome him back if he’s invited. If your summer movie experience has let you down at all, do yourself a real favor, and indulge in the action-packed fun of this movie. While I don’t think it’s quite as good as the first film, it’s exponentially better than the vast majority of action films released today.