Recently, in order to expand the exposure of Forever Cinematic, I have begun doing video movie reviews on YouTube. Now armed with my new high-definition camcorder, I’m putting forth fast paced reviews that summarize my feelings and critiques on various films. Mainly, I am reviewing newly released films alongside the written reviews, but in lulls between those reviews I am taking stuff from the archives to further publicize the back catalog of reviews I’ve done. The video reviews are an extension of the written ones, and I will not be doing a video review of something I have not done a written review of first. These video movie reviews only enhance the content, not replace it.
So far, listed below these are the video reviews I have done which are posted to the RavensFilm Productions YouTube Channel. The first two were shot prior to obtaining my Sony HDR-CX580V camcorder, and so, they are in standard definition quality. From Miami Vice forward, you get 720p HD in 24fps which is a massive upgrade on every technical level. There will also be occasional Forever Cinematic “Specials” where I maybe do a Top 5 list, spotlight some bad movies I own, do a run through of my complete Star Wars home video collection, or whatever else strikes me as fun and entertaining. I hope you will enjoy these videos, share them around, and subscribe to the RavensFilm Productions YouTube Channel to catch all the new videos as they are posted. Thanks much!
I so wanted to start this review with the emphatic words, “THEY GOT IT RIGHT!” Now, this is not to say this movie doesn’t move G.I. Joe into the right direction, but it left me lacking for many reasons. One of them being that this movie had too many trailers that spoil too much. If you’ve seen all three trailers for G.I. Joe: Retaliation, there are not many surprises left for you here. But frankly, the big problem with this film is that the villains and far more entertaining and memorable than the heroes. Simply said, I wanted Cobra to win because I didn’t care about the Joes.
Mercenary and master of disguise Zartan, who is still impersonating the President of the United States (Jonathan Pryce), frames the G.I. Joes as traitors, and has them terminated. However, three survive in Roadblock (Dwayne Johnson), Lady Jaye (Adrianne Palicki), and Flint (D.J. Cotrona) who must go it alone in order to fight back against those who conspired to kill them and their fellow Joes. Meanwhile, Storm Shadow (Lee Byung-hun) and Firefly (Ray Stevenson) initiate a prison break to free Cobra Commander (Luke Bracey, voiced by Robert Baker) to set the next stage of their plans forward. Cobra Commander’s plan is to eliminate the world’s nuclear weapons so that Cobra can take over the world by threatening to use its massively destructive Zeus space-based weapon. Roadblock, Lady Jaye, Flint, Snake Eyes, and Jinx team up with General Joseph Colton (Bruce Willis), the “original” G.I. Joe, to stop Cobra Commander from implementing his plan and expose their treachery to the world.
What this sequel gets right that the first didn’t was the tone and style. There are high tech gadgets and such peppered throughout the movie, but on the whole, this sequel features more visceral weaponry and warfare. No more energy weapons, no more holograms. This has a more grounded feel while still giving use a technological boost to make the story and scenarios work. Also, the CGI is vastly superior in every way. There wasn’t a single moment where my eyes caught a badly rendered shot, or witnessed anything that looked discernibly CGI. Another thing that is gotten right are the iconic characters themselves. Cobra Commander looks like Cobra Commander, and feels like a serious take on the character being a ruthless leader of a terrorist organization hell bent on dominating the world. Although, with the now slightly garbled and digitally processed voice for him, at times, it can be difficult to understand what he is saying. However, all in all, I was far more pleased with this representation of the character which never does anything to blatantly contradict who he was in the previous film. At most, it’s barely acknowledged in order to simply move forward without dragging undo baggage along.
The action sequences are greatly done giving us that tougher, more hard edged style. It feels like more straight forward military combat using recognizable tactics and weaponry. It’s all generally well shot, but the camera can get a tad too unstable with some editing that is slightly quicker than necessary. It’s a very tame shaky cam / quick cut mentality that really shouldn’t detract from your experience. This is mostly seen in the close quarters combat, or when Snake Eyes and Storm Shadow fight. That is another great confrontation that is again treated like a special attraction, but like before, we don’t get nearly enough of it. Probably the best action scene is with Snake Eyes and Jinx fighting the ninjas on the mountain side swing back and forth taking shots and slashes at each other. It’s dynamic, fun, and dangerous with plenty of smart turns. I like the touches the filmmakers threw in where some of the ninjas either miss the zip line or hit a rock formation, causing them to plummet to their deaths. It’s a very nice, smart touch that simply sells the precarious peril of the situation. I also loved the clever setup and execution of the jailbreak sequence. It had a lot of great touches that made it intriguing to watch unfold. However, the problem of this film is that there is so much action but so little plot to justify it.
And even then, the plot itself doesn’t always flow smoothly or coherently. At times, some plot elements feel disjointed and rushed. This happens in one section of the movie early on in two segments. First, we are introduced to Jinx as she trains with Snake Eyes while Blind Master, portrayed poorly by RZA, imparts some abrupt exposition in voice over that is just dropped on us without context. There’s no setup to anything he’s saying about Snake Eyes having to locate Storm Shadow and bring back to face justice for what he did to their clan. It’s just, “Where did this subplot come from? What does this have to do with the main plot of this film?” It just drops into the movie as if you missed a string of scenes somewhere. Jinx has essentially no real introduction here. She just happens to be there, and we’re just supposed to happen to know who she is. Also, once Storm Shadow is there facing judgment, a whole bunch of new exposition gets breezed through in a flash about who really killed their master and why. It’s very jarring and poorly handled as if they thought up this subplot on the fly and just crammed it into a tight corner of the movie just to have it there. Even then, how Storm Shadow and everyone else jumps around from one conclusion to the next follows no stream of consciousness. It’s implausible how they make these rapid fire connections and revelations. It’s awful screenwriting and direction. And again, RZA can’t act worth a damn. Every line he delivers just sounds terrible. So, I have no idea why they cast him in this role of a wise martial arts sensei. He puts in the worst performance of the entire movie. Yes, he is an exponentially worse actor in this movie than Channing Tatum, who actually does a better job in this film than the last.
There is also a scene where Roadblock, Lady Jaye, and Flint setup a plan to get close to the imposter President in order to confirm their suspicions and expose him. However, the scene is laid out without really understanding what their plan is. Roadblock is setup outside ready to take a shot at President Zartan after he’s lured out of the banquet hall, but it’s never understood what they plan to accomplish by doing this. This sequence came off as confusing and disjointed because there’s no setup to understand what their ultimate goal is or what everyone’s purpose is in the scene. It seems it served two purposes. One, just to clue the Joes in on who was impersonating the President, and two, to setup another action scene where Roadblock and Firefly throw down. It’s a damn good action sequence, but it was a lot of clunky screentime used up with little purpose.
The film has so much action and little plot that once we were actually in the third act, I couldn’t be sure it was the third act. The movie doesn’t ramp up to another level of tension or urgency to signal that these action scenes are any different than the half dozen we’ve already gotten in the movie. And the other problem is that I was more engaged by the villains than the heroes. I didn’t want to see Cobra get defeated. I liked those characters because they made the movie fun and entertaining. I kept waiting to get back to seeing Cobra Commander, Firefly, and Zartan conspiring about evil schemes, and having loads of fun doing it.
Now, the most I will confirm to you about Channing Tatum is that he doesn’t have a lot of screentime. I know I’m going to deserve a kick in the head for saying so, but I think the movie would have been better if he was in it more. Tatum and Dwayne Johnson do have excellent comedic chemistry that really entertained me, and made their characters really fun and exciting. This made Duke and Roadblock lively, relatable characters that I wanted to spend time with. If we had this chemistry flowing through the whole film with them teamed up and trading sharp quips, taking on Cobra with a smile on their faces, I think I would have been more engaged by the heroes. Instead, they fall kind of flat.
While Dwayne Johnson puts in a good performance, it just doesn’t seem like he was portraying a character. It just seems like Johnson being himself, more or less. There’s nothing distinct about Roadblock apart from Dwayne Johnson. I didn’t really see a character in there that had his own distinguishing characteristics or attitude. Maybe this is also a script problem, but you can watch an interview of Dwayne Johnson and he doesn’t seem any different from how he is in this role in this film or any other film he’s been in. As the heroic lead of the movie, I felt letdown. He doesn’t inject enough weight or action hero mentalities to really support this film the way it needed to be. Once he no longer had Tatum to bounce that charismatic, funny personality off of, I found myself no longer invested in Roadblock at all.
Even Bruce Willis seems like he’s just being lazy Bruce Willis here. There’s almost nothing more he does in this film than what you saw in the trailers. General Joe Colton is a bland character with no depth, no interesting qualities, and no real back story given that links him with the G.I. Joes. He’s mostly there just so they could have Bruce Willis in the movie for name recognition. I’ve never seen him do so little in a role before as he does here. What this movie needed was strong leads as strong characters with a real vibrant, passionate, gung-ho attitude, but no one here has that at all.
The rest of the Joes, aside from the always cool Snake Eyes, are throwaways. By the time the film bothers to give us any insight into who they are, I had already stopped caring about who they were. Jinx isn’t even given that much. These are characters put into the film to fill out the plot and nothing more. The script barely does anything with most of them, and the actors in many of these roles aren’t engaging, charming, particularly charismatic, or especially memorable. They were just there, and I didn’t connect with any of them.
Conversely, same as with the first movie, we get great villains that make the movie as enjoyable as it is. As I said, Cobra Commander gets the perfect makeover finally giving us the iconic chrome mask and militaristic garb. He’s given a great presence, and an intimidating driving purpose in the story. Destro is mentioned and technically seen, but Cobra Commander chooses to abandon him during the jailbreak sequence (which features a wonderfully funny and sharp performance by Walton Goggins as the warden). Cobra Commander is a great villain being very single-minded but also intelligent and cunning. He’s not the excitable, egotistical fool from the 1980’s cartoon. He is very much like a cobra – sharp, deadly, and fierce. I want to see more of him!
Although, I have to say my favorite villain here is Firefly, portrayed by Ray Stevenson. Frankly, Stevenson is a born bad ass. I have yet to see this man do wrong in anything he’s done, and he is an absolute pleasure to experience as this rugged, smart mouthed villain. Being a major fan of what he did as the Punisher, I bought into every second of his action scene abilities here. He clearly had a lot of fun digging into this character which is full of evil charisma and wit. He probably has the most action scenes to his credit in this movie amongst all the villains, and I couldn’t have been happier to see him kick some ass.
And color me impressed by Jonathan Pryce sinking his acting talents into President Zartan. Arnold Vosloo has not even a minute’s worth of screentime in this movie, and so, the portrayal of Zartan as the President falls entirely on Pryce. Like Stevenson, he was having loads of fun being this charismatic, playful villain. He is so much fun to watch, and not for an instant did I doubt he was fully into being Zartan in disguise. Pryce usually portrays rather sophisticated, cultured characters, but this gave him the chance to just chew a little scenery and be a total bad guy that was loving every minute of it. Cobra Commander, Firefly, and Zartan just make an excellently entertaining trio of bad ass bad guys.
And Byung-hun Lee does put in another excellent performance as Storm Shadow, but the story takes him in another direction than we saw before. However, it is entirely in line with the character’s history as he has switched loyalties before, but I just wish his motivations had a better build up and pay-off. This is in relation to the rushed and disjointed exposition scenes I mentioned previously. It didn’t sell his turn in the story at all to me, and I kept waiting for him to pull a double-cross to make at least one satisfying plot turn for Storm Shadow.
In terms of creative direction, tone, and style, this is absolutely the better G.I. Joe movie. It never outright contradicts the first movie, but instead, strips away what wasn’t palatable and make it a leaner, tougher action franchise. However, the plot is kind of clunky never really finding its footing, and never adequately conveying the stakes or objectives to the audience. It’s clear the characters know what they’re doing, but not often enough does the audience understand where things are going, what characters are planning, or what the scope of the threat truly is. Frankly, I think the filmmakers weren’t that concerned with that. The movie is generally fun, exciting, and technically well made, but the plot seems to exist for no more than to string a series of action scenes together. There is a main plot here that is very good, does work, and could work amazingly well if handled with more care. Unfortunately, the filmmakers just seemingly didn’t know how to utilize solid, fleshed out, and well flowing storytelling skills to make this plot fill up the movie. You could take out maybe two extraneous, if not well done, action scenes, and use that screentime to smooth out the jagged edges in the story. Use it to bridge the gaps and convey characters’ intentions as they move forward in the plot. I just never got that feeling that the plot was developing towards an apex, or that even the heroes themselves knew what the stakes were going forward. It seems the most the filmmakers felt we needed to know is that these are the good guys and they need to stop the bad guys. If Paramount Pictures really did postpone the release of this movie at nearly the last minute to do a good chunk of re-shoots, I’m not sure what they were for except for maybe a single scene with Johnson and Tatum trading witty banter over some target practice. It was a fun scene, but could’ve easily been cut. I don’t think they shot anything to flesh out or smooth out the story more because, obviously, it could still use some work. While this movie might have gotten squashed if released last summer, I’m not sure how much better it will fair in this early Spring release.
While I would recommend seeing G.I. Joe: Retaliation to an extent, I still wouldn’t recommend it above Olympus Has Fallen. That was a much better put together action movie on every level than this with an action lead that an audience could really get behind. I’ll be interested to see if this G.I. Joe sequel gets an extended cut on Blu Ray because it could benefit from some added scenes of plot and character. Ultimately, the entertainment factor for me entirely came from Cobra. When the film was focusing on the heroes, I couldn’t wait until we cut back to the villains. They were just all kinds of enjoyable because the actors were charismatic and vibrant where the heroes where one dimensional and rather bland. I mean, in a film where all of their friends and fellow soldiers are violently blown to hell, you’d think these heroes would have a fiery passion lit underneath them. You’d think they’d be ready to throwdown an all-out assault, and wage a take-no-prisoners type of war against Cobra. Unfortunately, there is no such fierce emotional drive to these heroes, and that’s what made them fall flat for me. If you just want a slew of really good action scenes, this film will deliver that for you, but director Jon M. Chu is not the most competent storyteller. Maybe there was studio interference that resulted in making changes here and there due to supposed poor test screening response. But if there’s one thing you don’t sacrifice is good storytelling. There was a really good story here, but not the right storytellers to make it good enough.
Growing up in the 80’s I was a fan of G.I. Joe, and owned many of the toys that the cartoon generated. However, I was never that hardcore of a fan. As I grew up, the franchise didn’t stick with me as I gravitated towards Transformers overall. When this live action movie, directed by Stephen Sommers, was being made and released, it didn’t grab my attention. I didn’t give it a chance until a strongly opinionated friend of mine, who was a big G.I. Joe fan, stated that he did enjoy this movie. One iTunes rental later, and I was approving of this movie. Yes, it has problems, and has some serious unfaithfulness to the source material, but it’s a big, enjoyable science fiction stylized action movie, regardless.
Two soldiers stationed in Kazakhstan, Captain “Duke” Hauser (Channing Tatum) and his partner Ripcord (Marlon Wayans), are ordered to transport special warheads created by MARS, an arms manufacturer controlled by James McCullen (Christopher Eccleston). When they are attacked by a highly advanced terrorist group, led by Baroness Anastasia DeCobray (Sienna Miller), they are saved by a top secret, international special forces unit known as G.I. Joe. The leader of G.I. Joe, General “Hawk” Abernathy (Dennis Quaid) is on the trail of these thieves: an evil organization called Cobra. While Duke and Ripcord train to join the Joes, McCullen is secretly working for Cobra and plotting to recapture his metal-eating “Nanomite” warheads. Duke and Ripcord, with help from Heavy Duty, Snake Eyes, Scarlett, and the rest of the Joes, must prove that they are Real American Heroes by stopping the launch of these warheads before Cobra uses them to take over the world.
There are several alterations to characters and their relationships from the familiar comic book and cartoon source material. Why filmmakers have this compulsion to make changes of these kinds escape me. I don’t mind adapting a concept or idea to suit the live action filmed media as opposed to the more fantastical mediums of comic books and cartoons. However, the changes here didn’t need to be made to make the idea of G.I. Joe work as a live action movie. They were simply creative decisions made for whatever reason to tell the story these filmmakers wanted to tell, despite whether or not it fit into who these characters had been for over a quarter century. I’ll touch on these as I comment on some of the cast, as I have done some light research to understand the divergences at hand.
This movie has some acting talents that seem questionable to me at both the time it was released and in retrospect. Obviously knowing Marlon Wayans from increasingly badly received comedic vehicles, he was the most peculiar casting choice. While Wayans’ character of Ripcord does have a playful, somewhat silly personality at times, he’s decently enjoyable once you begin to take the film as a light, popcorn movie adventure. He even has a moment or two of charm as he begins to develop some friendly relations with Rachel Nichols’ Scarlett. As the film goes on, and the threats become more serious and imminent, Wayans rises to the occasion to make for a nicely respectable cog in this action centric cast.
Channing Tatum is someone that I’ve come to know as a rather uncharismatic actor with not much to offer. While he surely doesn’t give us anything close to the Duke fans knew from the original cartoon series, who was a very strong, authoritative commanding officer, he is fine in this younger iteration of Conrad “Duke” Hauser. It’s not a particularly dimensional performance, which could have helped in some instances, but Tatum decently fits the role as written. It’s fortunate that the film has so many characters you can fixate on so not to be distracted by Tatum’s limited abilities. It’s not an outright groan inducing performance, just a flat one that is aided by some decent comedic chemistry with Wayans. Still, a far better actor was surely available to cast in this role to make him a more standout lead instead of blending into the ensemble.
Thankfully, we have some strong, vibrant villains to enjoy. Christopher Eccleston is sophisticated, intelligent, but also despicably vile. He injects charisma and slick savvy into McCullen, aka Destro, that is distinctly different from his Sunbow cartoon incarnation, but ultimately, follows the character as he has been developed through other media over the years. Eccleston has a very good presence conveying a contemptuous weight towards the world without it feeling one dimensional. He has a very elaborate, smartly devised plan to place himself in control of the world. He works greatly as a global level villain whose motives nor agendas are shallow in the least. Plus, the English actor works a very solid Scottish accent.
The filmmakers made serious changes to the Baroness, who is supposed to be an Eastern European straight-up villain, but is now simply Duke’s American ex-girlfriend Anna Lewis who has been specially manipulated into being a villain. Regardless of this, Sienna Miller is endlessly and immensely hot in this very femme fatale role. She plays it with a lot of bite and sexy assertiveness. She is a bad ass villain that would’ve been perfect if the filmmakers played it faithful, but as it is, she does a damn good job making the Baroness alluring, dangerous, and intriguing. Essentially, this character change was made in order to create a romantic relationship for Duke to grapple with, and while it’s nicely executed, it still would’ve been more pleasing to see the real Baroness here.
Lee Byung-hun and Ray Park are probably the best parts of this movie portraying Storm Shadow and Snake Eyes, respectively. Both characters are straight awesome here. Storm Shadow is beautifully lethal and stealthy with a real cutthroat, edgy presence. I think he truly lived up to many fans’ expectations through an excellent, sharp performance. Obviously, Snake Eyes has no dialogue, but Ray Park’s expert athletic and martial arts talents shine through.
Cobra Commander is here in this movie, but doesn’t declare himself to be as such until the end. We are essentially given an origin story for him that is very much inline with that of the Baroness. For those that haven’t seen the movie, I don’t wish spoil the film’s intended surprises, but let’s say that it’s not the Cobra Commander you’re used to or expect. He was my favorite character from the 80’s cartoon series due to being a rather excitable, egotistical fool, and even there, his back story was never entirely consistent. What we even got in the animated movie was not very palatable to me. So, when I saw this movie, none of this new back story really hit a bad nerve, but it would have been nice if the filmmakers attempted to make him look like Cobra Commander in his final moments on-screen. Reportedly, they were fixated on the hooded look for the character, and avoided using it for understandable iconography reasons. Still, as the sequel demonstrates, the chrome masked version was easily adaptable, and its absence comes off as even stranger since the filmmakers put an odd translucent mask on him at the end, anyway.
The question is if all of these objectionable changes make this a poor movie. I suppose that depends on your perspective. I would imagine many very serious G.I. Joe fans with a knowledgeable and loyal history for the franchise would be upset by these arbitrary alterations. For a more casual fan, like myself, they don’t break the movie, but certainly make it less than it potentially could have been. It’s a tad surprising that this movie was co-written by Stuart Beattie, who I recently gave vast amounts of credit for his screenplay for Michael Mann’s Collateral. That was a brilliant, introspective movie of great, unique depth. This is far from that. Beattie’s co-writers have shallow filmographies with nothing much to really say they are exceptionally good or bad screenwriters. I’m not saying that this script is bad, though it has some shortcomings and flaws, but in terms of attempting to be a faithful adaptation, it has a lot of wrong turns that I’m not sure who is to directly blame for them.
Now, the quality of the CGI here is about standard for a Stephen Sommers movie, unfortunately. The effects in The Mummy were really good for 1999, and still hold up fairly well today. However, Sommers’ films have since become larger scale productions requiring more elaborate visual effects, and this is evidence of that. The CGI is used extensively, and is not really that good to be given so much screentime. Among six visual effects companies that worked on this, there’s no real distinguishing level of quality. I would be hard pressed to say any of the visual effects shots are anywhere in the neighborhood of great.
Still, despite the lacking digital effects, Sommers delivers some solid action sequences. They are big, explosives scenes with some inventive ideas and nicely choreographed fights. All of this action is very well shot showing that Sommers knows how to present and construct action sequences very competently. Plus, he knows how to inject a real sense of entertainment value into everything, even if some of the funny bits are somewhat extraneous. Still, the sprinkles of comedy entirely suit Sommers’ style that we saw in The Mummy and so on. A definite action highlight is seeing Snake Eyes and Storm Shadow battle, and Sommers treats it as a special attraction. There’s an early on battle between them, but the climax gives us the real juicy stuff. It’s just bad ass all the way through, if delivered sparingly, and I only wish there was more of it. Hopefully, I will get my wish in the sequel.
While G.I. Joe always had a bit of advanced technology giving it all a slight science fiction edge to it, this movie really pushes that full boar by even stating it takes places in the “not too distant future.” This is a movie of very advanced technology with people communicating through holograms, using nanomite weaponry, energy based weapons, entire underwater Antarctic lairs, and various other fantastical items. It does fit alongside much of the established franchise mentality, but it probably pushed the envelope further than it needed to. I like a little high tech gadgetry in G.I. Joe to make it feel special and unique, but I think a live action movie should probably ground the ideas more. Take it more away from the cartoony aspects, and make it a little tougher, more hard edged with contemporary weapons. While I found the film fun, this film franchise really does need to go that direction so it can plant its feet in the ground and push forward with a strong foundation. Take away the almost cyborg-like accelerator suits and the energy guns, and give us more down and dirty stuff. Ultimately, I think that sells easier and stronger to a wide audience. We can take a little fantastical science fiction every now and then, but if you’re setting the film in a recognizably contemporary time and not the especially distant future, sell it that way. Give us a bad ass military guy unloading live rounds from a machine gun. Laser weapons were used in the cartoons because they were cartoons. You couldn’t show people getting shot with bullets and dying in that medium. This is a live action PG-13 movie. Mature the content a little, and give action fans and the adults who were kids in the 80s something that appeals to them more. Don’t make it too violent, but do enough to be bad ass, which is what the soon-to-be-released sequel, G.I. Joe: Retaliation, seems to have done. Still, we’ll see about that in a few days.
The climax itself is full of plenty of action with both Ripcord piloting a Night Raven jet to intercept McCullen’s nanomite warhead missiles, and the assault on McCullen’s Antarctic lair. Like with the whole film, it’s tightly edited with constant energy propelling the story forward. The dramatic tension is kept high, and these intercut storylines flow very well. We get some very good, heroic pay-offs, but we ultimately understand that this is just the setup. G.I. Joe: The Rise of Cobra is the story that puts all the heroes and villains into their proper places to give the franchise a launching point. Plots have still been set in motion by Destro and Cobra Commander that will be followed up on in the next film.
Again, this is a film that I do find enjoyment from, but surely not frequently as I’ve watched it maybe four times in three years. It’s a nice, enjoyable ride with some very well executed action sequences that do aim to please, and a fine dash of humor and levity to keep it fun. It has a decent cast that generally does enough to be closer to Stephen Sommers better work, but it’s still a movie that could’ve benefitted from some better creative direction. I’m hesitant to give it a big endorsement because, again, there’s plenty of bad CGI all over the place and it fails to faithfully adapt the source material. For what it is, I think it’s mostly well done. It’s not the G.I. Joe movie that fans wanted or expected. The animated movie really diverted into very strange territory that I still find not to my taste. I don’t own that movie, but I do own this one. It’s closer to what a G.I. Joe movie should be focusing on terrorism and advanced technological warfare, but it did need someone at the helm that could shape it into what the fans desired. I do think it’s a better movie than reputation has seemed to label it with. There is plenty of entertainment value that surely never gets to the annoying levels of Michael Bay’s Transformers movies. I would recommend giving it a chance, but knowing that it still falls short of its potential in several areas. If for nothing else, it’s worth seeing Storm Shadow and Snake Eyes clash.