Recently, in order to expand the exposure of Forever Cinematic, I have begun doing video movie reviews on YouTube. Now armed with my new high-definition camcorder, I’m putting forth fast paced reviews that summarize my feelings and critiques on various films. Mainly, I am reviewing newly released films alongside the written reviews, but in lulls between those reviews I am taking stuff from the archives to further publicize the back catalog of reviews I’ve done. The video reviews are an extension of the written ones, and I will not be doing a video review of something I have not done a written review of first. These video movie reviews only enhance the content, not replace it.
So far, listed below these are the video reviews I have done which are posted to the RavensFilm Productions YouTube Channel. The first two were shot prior to obtaining my Sony HDR-CX580V camcorder, and so, they are in standard definition quality. From Miami Vice forward, you get 720p HD in 24fps which is a massive upgrade on every technical level. There will also be occasional Forever Cinematic “Specials” where I maybe do a Top 5 list, spotlight some bad movies I own, do a run through of my complete Star Wars home video collection, or whatever else strikes me as fun and entertaining. I hope you will enjoy these videos, share them around, and subscribe to the RavensFilm Productions YouTube Channel to catch all the new videos as they are posted. Thanks much!
It was mere coincidence that I reviewed the Die Hard clone movie of Sudden Death this past day. It was on my TiVo for months, and I just needed an action movie to occupy my attention. Olympus Has Fallen does indeed follow that Die Hard formula very closely, but also executes it extremely well. This is surely one of the better action movies I’ve seen in recent years, and it is a rock solid R rated outing with the violence never holding back for an instant. So, while Sudden Death was Die Hard in a hockey arena with the Vice President taken hostage, this movie is Die Hard in the White House with the President taken hostage. Believe me, this is a gigantic step up that should please audiences.
When the White House (Secret Service Code: “Olympus”) is captured by a terrorist mastermind (Rick Yune) and the President (Aaron Eckhart) is kidnapped, disgraced former Presidential guard Mike Banning (Gerard Butler) finds himself trapped within the building. As our national security team scrambles to respond, they are forced to rely on Banning’s inside knowledge to help retake the White House, save the President and avert an even bigger disaster.
This is a very well directed effort by Antoine Fuqua. I love that he keeps the film very grounded in the severe drama and peril of the situation, and never feels the urge to indulge in cheesiness. He avoids having anyone spout out one-liners, or do anything to diminish the imminent danger at hand. The film’s first act really sets up the characters well by establishing close relationships around Banning with the President himself and his son Connor. The film begins with a tragic car accident that claims the First Lady’s life, and Banning feels responsible for that. While I did know full well from the trailer that this would happen, the sequence still had an emotional impact on me. The film then flashes ahead eighteen months where Banning is working at the U.S. Treasury, no longer feeling fit for or at ease in the White House. These are all excellently done sequences establishing emotional weight on Mike Banning, and setting him up in a very fleshed out and relatable way. Then, of course, all hell breaks loose upon Washington.
There was a point during this long incursion by the invading forces that I felt it was going on too long, but then, I caught myself. I realized that, one, such a siege would be a lengthy operation and unraveling in multiple parts. Secondly, it was when Banning got into the thick of things that it all picked up for me. It made the violent, frightening sequence less broad, and focused it more on someone that I already identified with. This is where the film has it’s real juice. Focusing in on the character of Banning combating these forces as an extremely capable one man assault made me excited. Getting behind him as the hero energized the movie for me, and got me invested in what was happening. Another reviewer I follow stated that if you replaced Gerard Butler as a Secret Service Agent with Bruce Willis as a New York cop, this would’ve been the perfect Die Hard 5. I entirely get that statement, but Mike Banning is a distinctly different person than John McClane. Banning is a sharply trained tactical force who knows how to handle a situation like this, and how to manipulate his way through the White House, messing with security cameras, moving through hidden passageways, accessing secret vaults with a satellite phone, weapons, and so on. This is an expertly trained agent that systematically and efficiently takes down these terrorists. This is what really sold me on every bit of action.
Gerard Butler is a solid action lead. He puts in a very well-rounded and awesome performance. He certainly has some fun, yet lethal moments with the character, but never goes down the path of witty quips. Even when that humorous bad attitude surfaces, his words hold the weight of a vehement threat. He’s not mouthing off, he’s making strong, direct statements to people. Still, we do get that humor through extreme circumstances that still felt distinct to the character. The filmmakers nor Butler were trying to have Banning be an imitation of anyone else. He’s his own great character. Butler handles himself exceptionally well in every aspect of action here from the tactical gunplay to the hand-to-hand combat. There are some very impressive moves he showcases when he’s squaring off against a deadly opponent. Banning’s definitely a tough guy, but what further makes the role great is the sentimental value we see from him. This mainly comes out with both protecting Connor, and when Mike finally gets on the phone with his wife, who is a doctor in the midst of triage. We get to see the humanity of Banning from early on, before the action, and later on during the action to maintain that balance and dimension with the character. Overall, it’s a very solid character in both conception and execution through Gerard Butler’s talents. He kicks ass in all kinds of ways.
The film’s villain is Kang, portrayed by Rick Yune, and he is one immensely merciless, vile piece of filth. Yune is just awesome as this man who seeks to unleash a horrible fate upon all of America, and unite Korea through military force with very powerful motives behind him. This is absolutely a villain who is despicable and shockingly violent, but maintains a cool head about him. He’s in control of everything, and is willing to demonstrate that control and dominance on a whim. He’s very calculating and intelligent while being disturbingly violent. Rarely have I seen an action movie villain of this serious caliber. Again, the film does not degrade anything by delving into cheesy qualities or eccentricities. Kang is as serious as they come, and his ultimate plans are horrific. Yune gravitates a lot of weight around him, and sells every ounce of this role. He’s definitely the villain this film deserved.
The rest of the cast is filled out with heavyweight talents. Aaron Eckhart is stellar as President Benjamin Asher. The charm and warmth of him is seen early on, but when the hostage crisis befalls him, we see his strength and conviction show through. He won’t allow anyone to be a martyr to him in that bunker, and he never backs down from Kang and his people. Eckhart’s an amazingly strong actor for a role of this sort, and he fills it admirably. And Finley Jacobsen is top notch as the President’s son Connor. He’s a very sweet and enjoyable kid that has a strong bond with Mike Banning. I could definitely feel for him early on when his mother, portrayed by the excellent Ashley Judd, perishes in that plunge off the icy bridge.
We also have Morgan Freeman living up to his high standards as the Speaker of the House Alan Trumbull, who must assume the roe of Acting President in this crisis. Freeman carries Trumbull’s burden with realistic weight as he grapples with these massive decisions of life and death. How he asserts authority over Robert Forster’s General Clegg was a real solid moment that I liked a lot. Angela Bassett, who I think is an amazingly talented screen presence, is here as Banning’s Secret Service Supervisor. She’s all around superb, as is everyone in this picture. We’ve got all these people assembled at the Pentagon, and they come into regular contact with Banning along the way as they try to coordinate their efforts. These scenes carry so much poignancy and immense weight on a global scale, and no one could have asked for a better collection of actors to carry these scenes. And it is a testament to Antoine Fuqua that he was able to utilize these talents so fully and powerfully. Still, that should come as no surprise from the director of Training Day where he directed the excellent Denzel Washington.
And the action sequences Fuqua gives us are exemplary. While the CGI is definitely undercooked more than usual, I could mostly move beyond that to embrace the quality of the action. The digital effects mainly come into play during the air strike scenes with planes, fighter jets, and helicopters being digitally rendered as there was no way they were going to be actually crashing things into the real White House. Aside from that, we get some visceral, pull no punches violence. People, both good and bad, get ripped apart like Swiss cheese by automatic gunfire and are blatantly executed. This is an action film that is selling the realistic intensity of both of these lethally trained forces who will not leave their adversaries alive. There’s a generous helping of blood all over the movie, and it seemed mostly realistic and not digitally created. I think a lot of squibs were used on this, and only a few enhancements were done in select places. If that is indeed the case, I applaud Fuqua for going that route. Far too many action movies these days go the lazy route, and use next to no practical blood effects.
Getting back on track, though, we are treated to some very good action through this runtime. Banning is given plenty of intense scenarios to fight out of, and it is all shot very well. There’s a little shaky cam in there, but it’s fairly mild and the editing is quite good to maintain coherence throughout. It’s just hard hitting stuff that results in the biggest body count I can recall seeing in an action movie, but due to the nature of the plot, one must expect that a shocking volume of bodies fall protecting the White House. The brutality that we get is necessary to selling the tremendous tragic weight of this event, but putting that aside, it’s the veracity in which Banning goes after these infiltrators is where the entertainment value truly lies. The only time he leaves anyone alive for questioning ends up in an awesome, quick scene of extremely persuasive interrogation. He’s not ready to dish out mercy, and has no hesitation in ramming a knife through someone’s skull. It’s scenes like this that really make Banning an entertaining and bad ass hero. We’ve seen him be a nice guy and a solid professional, but in this scenario, he’s not holding back on the bloodletting. He knows the stakes, and has no qualms about doing whatever it takes to rescue the President and take Kang and his people down in decisive, graphic fashion.
It didn’t take me long sitting there in the theatre to take special note of how good the score was. This is a big action movie score the way it’s meant to be done. Composer Trevor Morris has not done anything really worth noting before this movie, but I damn well hope that this is the start of a very noteworthy career. As with the rest of the movie, Olympus Has Fallen does feel like something birthed out of the 1980’s or 90’s in all the right ways. This score is right up there in that vein of Under Siege, Con Air, or Die Hard. It has a sprawling, tightly dramatic style that paints on a large musical canvas for a film of big stakes and large action sequences. It’s very impressive stuff.
Olympus Has Fallen is also greatly written by a pair of apparent first-time writers. This is their only credit on the Internet Movie Database. So, if this is your break into Hollywood, I say it’s a hell of a great first effort. Yes, it is a Die Hard clone, but it takes all the hallmarks of that formula and builds upon it with a story of huge consequences and well written characters. The movie doesn’t put all its cards on the table at the same time. Kang’s ultimate intentions are not fully discovered until the final act of the film, but I will not spoil that here. The script cleverly just lays one piece of the puzzle into place at a time allowing you to be concerned with one major thing at a time. It shows the intelligence of Kang very well, and creates a very solidly plotted film with plenty of anticipation and suspense as realized by Fuqua.
I just say go to the theatre and see this right now! For one, hard R rated action films have been taking a nose dive at the box office, and while most of it has been justified, when something of this damn good quality comes along, it really needs to be supported. Overall, this is simply a fun, exciting ride with the weight of serious stakes and big action. It really beefs up the old formula with a cast of amazing talent, and helmed by a damn good director who knows how to sell something of this scale. This is proof positive that any well-treaded formula can still be executed with impressive results. All it takes is filmmakers with ambition and a solid script to make it a creative success. I surely hope that it will prove to be a financial success because it really does deserve it. Olympus Has Fallen is a solid, hard R action movie that you should absolutely see!