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Posts tagged “tom hiddelston

The Avengers (2012)

Marvel Studios has spent a lot of careful time and resources into building their cinematic universe.  For the record, these films include Iron Man, Iron Man 2, The Incredible Hulk, Thor, and Captain America: The First Avenger.  They have all been excellent films that I have highly enjoyed, and found a lot of depth and strength in.  After many studios licensing the rights to their characters, and coming up with very mixed results, Marvel finally took it upon themselves to do it right.  Its ultimate culmination is The Avengers, and while it is a highly enjoyable and entertaining film, there is an emotional depth that it lacks which its predecessors were quite rich with.  These are great characters realized exceptionally well by a stellar cast, and balanced well by a filmmaker who specializes in ensemble casts.  Still, there is plenty to discuss on both the positive and negative side here.

When the Asgardian enemy Loki (Tom Hiddelston) arrives on Earth to utilize a cosmic power to unleash the alien force the Chitauri to destroy humanity, the director of the covert agency S.H.I.E.L.D, Nick Fury (Samuel L. Jackson), proceeds to unite a mismatched team of superheroes as the Avengers.  There is the charismatic billionaire industrialist and scientific genius Tony Stark (Robert Downey, Jr.), aka Iron Man.  Loki’s brother, the Asgardian god of thunder Thor (Chris Hemsworth).  The super soldier and World War II hero Captain America (Chris Evans), a man out of his time and era after being frozen in the arctic for decades.  There is also the brilliant scientist Dr. Bruce Banner who becomes the monstrous Hulk when provoked.  And the two master assassins Clint “HawkEye” Barden (Jeremy Renner), and the Black Widow, Natasha Romanov (Scarlet Johansson).  This immensely powerful collection of extraordinary people must learn to function as a team in order to save the world.

There are some mixed qualities here, and I can’t help but just get the negative off my chest.  First off, the invading aliens, the Chitauri, come off as a completely generic and disposable force.  They are given no build up or personality in the film.  They could be anything or anyone, it doesn’t make a difference.  No threat is built into who they are, just that they are a hostile force invading our planet.  These days, we get numerous alien invasion movies per year – such as Battle: Los Angeles, Battleship, Skyline, and Transformers: Dark of the Moon – and so, this is a well treaded concept that requires more effort behind it to make it fresh, unique, and better than the rest.  Not to mention, the design of the Chitauri ships and technology is very evocative of Transformers: Dark of the Moon.  So, it feels even more tired and generic.  Ultimately, they never seem to be more than the heroes can handle.  They are easily dispatched with to the point where it seems like the Chitauri are the ones hopelessly outmatched.  The filmmakers throw in a mild moment where the Chitauri gain an upper hand, but it’s not enough to sell the epic resonance of the battle.  While I am not fanatic for or against Michael Bay, I do have to say that, in this area of filmmaking, Joss Whedon is no Michael Bay.  Everything that was done in the climax of The Avengers was done on an exponentially more cinematically epic scale by Michael Bay in the last Transformers movie.  It simply had more scope, more dire consequences, and bigger stakes.

Also, for the life of me, I cannot understand why Whedon shot this in 1.78:1 aspect ratio.  All the other Marvel films have been filmed in the far more cinematic format of 2.40:1, my personal favorite.  These days, almost all major studio films are shot in 2.40:1, the widest film format in current use.  The use of the standard 16×9 format you see on most any current television show just takes something away from the visual potential of this film.  When it’s meant to be the epic culmination of this franchise to date, you’d think they’d go the extra mile to boost the visual format.  Of course, this is all a personal irritant of mine.  Most people won’t even pick up on it, let alone have it affect their experience of the film.  The cinematography of Seamus McGarvey is generally good with a couple of impressive shots, but I just feel like some of the composition would’ve been tighter and stronger with that wider format.

Now, let me shift into the positive for a while to better reflect my mixed feelings on the movie.  While we already know from the previous Marvel Studios films that the cast is fantastic, the question is how well are their characters handled and realized?  Quite well.  The good thing about bringing in Joss Whedon is that he does done nothing but work with ensemble casts for the last fifteen years.  All of his shows – Buffy the Vampire Slayer, Angel, Firefly, & Dollhouse – have been as such, and he always did a remarkable job balancing out the various personalities of those characters.  In The Avengers, everyone has their fair time to establish themselves and make an impression.  However, it seems mostly focused on Robert Downey, Jr. and Mark Ruffalo as Tony Stark and Dr. Banner, respectively.  One might’ve expected a more prominent role for Captain America since he’s really the true leader of the team in the comics, or at least, co-leader with Stark.  However, his forefront time is really in the heat of battle, but still, there seems to be an emotional resonance that is missing with him.  I would’ve expected some substantive material with him coming to grips with being a man out of time as a symbol of an era long past.  I’d like to see Steve Rogers trying to care about and save a world he doesn’t fit into anymore.  I’m sure they are saving that for his proper solo sequel, but it feels heavily glossed over here.

Now, everyone that’s taken on the role of Dr. Bruce Banner has had their own style to it.  I recently caught some of Ang Lee’s Hulk on cable, and man, is that an atrocious film.  Beyond the stylistic gripes I have with it, Eric Bana didn’t strike me as much to be interested in, but in such a overbloated film, it’s tough to really care.  Edward Norton was far superior in the role, and I really liked The Incredible Hulk film from 2008.  His Banner was very Bill Bixby-esque, but still with its own identity and drive fueled by Norton’s creativity and talent.  Mark Ruffalo’s performance is distinctly different than Norton’s, but still quite good and interesting.  His Banner is a bit more awkward, and less socially comfortable.  So, he’s a bit of an eccentric genius, and while the development is never detailed, Banner has evolved from his struggles in The Incredible Hulk.  Yes, while the role was re-cast, that film is still part of continuity.  Ruffalo makes Banner quite interesting as both a sympathetic and admirable person whose initial purose in the film is scientific until circumstances require the green beast to be unleashed.  Generally, it comes down to taste in how you prefer Banner to be portrayed if you like Ruffalo in the role or not, but I found his interpretation quite satisfying.

Downey remains hard to compete with.  The charisma and charm of his Tony Stark can be scene stealing, but it remains in line with the character’s ego and personality.  He and Ruffalo share a lot of screentime, and they have good chemistry.  When it’s just them, the Stark charisma is toned down a little as he seems to enjoy having another brilliant mind to connect with.  Tony appears to admire Dr. Banner, but constantly prods him about unleashing the Hulk, as if it’s a joke.  It’s just like Tony Stark to dance with some danger.

I still love Chris Hemsworth as Thor.  He just brings a powerful presence and majesty with him.  I reviewed Thor here some months back, and I gave it glowing praise.  I think of all the upcoming Marvel Studios sequels it will be Thor 2 that I most anticipate.  The vast possibilities with the character just excite me.  Hemsworth continues to be an excellent choice for this character able to bring solid acting talent along with great physical ability and a strong presence worthy of a god.  He has a lot of formidable acting talents around him, and he stands tall amongst them.

What the filmmakers did with Jeremy Renner’s HawkEye changed my mind about the character.  Before, I couldn’t grasp what an arrow slinging marksman and a gun toting lady spy could contribute to combating an alien invasion when they are surrounded by such super powered and technology enhanced heroes.  I loved how Clint Barton helped with spotting strategy in the battle, giving tips to Iron Man on how to out-maneuver the Chitauri’s aircraft.  Plus, I loved his arrowhead selector.  Different arrowheads for different purposes, and with a touch of a button, he could have the arrow mechanically shift to another selection.  Explosive arrowheads really inflicted some damage.  Black Widow did well in the combat with the foot soldiers using some of their tech against them.  Both Renner and Johansson are given their time to show a connection between their characters and some depth.  It’s a very nice touch to make sure neither gets lost amongst the larger than life characters.

Tom Hiddelston as Loki remains a fun, menacing, and treacherous villain.  He’s an excellent actor who fills the role well, and conveys Loki’s ideals and intentions with exceptional vigor.  However, the problem is not the performance, it’s the threat level.  Loki himself gets beat up on by almost the entire team throughout the movie – Captain America, Thor, Iron Man, and the Hulk all give him a beat down.  In combat, he’s not formidable.  Only through his use of magically empowered manipulation does he become problematic.  He uses his skills of trickery and deceit to attempt to forge a wedge between the heroes, to get them at each other’s throats, but that is only a small cog in his plan, not his endgame.  This ties back into my initial negative mark against the film.  In the end, there is no sense of a perceived insurmountable threat here.  Loki can’t hold his own in battle, and his invading force is terribly generic with no sense of what true destructive power they possess.  This is only one of a few failings of the film.

Since the film has to spend so much time dealing with the character dynamics of a reluctantly formed team, there’s no time to really build up an emotional resonance in the main plot.  Because the enemy is so nonspecific no one has a real, direct personal and emotional conflict to resolve.  Emotion is ultimately what makes a story epic.  Explosions and flashy action sequences might have visual scope, but they alone don’t make the story epic.  You need emotional stakes.  The Avengers are fighting to save the planet, but there are no ideals they are fighting for, no thematic elements in the story for them to grapple with that will make them more than what they were at the start.  All the other Marvel Studios films have had these elements to varying degrees.  In their respective solo films, Thor had to evolve from a impulsive, thick-headed warrior to a noble, more wiser leader.  Tony Stark had to stop being a self-centered merchant of war to becoming a selfless hero intent on stopping war.  Captain America had to learn to take his weakness and turn into his strength, to push himself to becoming the hero he knew he could be, despite everyone else’s doubts.  Bruce Banner had to struggle with the monster inside him.  If he could not be rid of him, he had to find a way to control him.  In The Avengers, there is no substantive emotional or character development.  They just learn to work as a team, which is important, but that just leaves the film feeling flat.  Again, the threat level is never build up enough to draw out emotional strain.  While it’s certainly not as shallow as a Michael Bay film, to turn the earlier comparison around, it definitely doesn’t add up to its predecessors.  The only moment where the filmmakers try to milk some emotional poignancy feels clichéd and contrived.  It’s just there as a cheap heartstrings manipulation which evaporates within a matter of minutes.  It has no real lasting impact.

“A special effect is just a tool, a means of telling a story.  People have a tendency to confuse them as an ends unto themselves.  A special effect without a story is a pretty boring thing.”  That was said by George Lucas, circa 1983, and is the filmmaker quote that has held the most weight and relevance with me through the years.  Why I’m mentioning it here is that while this film has very good visual effects, none of them left a real impression on me because the story was so weak and thin.  It’s not a bad story or that there’s a lack of one, it’s just not very meaty.  Action scenes don’t hold much weight unless the story has enough substance.  While the visual effects are generally good, the one CGI fall off for me was with the Hulk.  Ang Lee’s CGI Hulk was just down right bad on so many levels, and was done by Industrial Light & Magic,  Digital effects house Rhythm & Hues got it perfect with Louis Leterrier’s The Incredible Hulk.  They made the Hulk visceral, textured, and raw.  He had realistic qualities in his muscular structure, and the weight in his movements.  In The Avengers, the digital effects have gone back to ILM, and the Hulk goes back to not looking very good.  He seems almost flabby with too much flesh jiggling around instead of the tight physique he had in the Edward Norton film.  He looks partly cartoonish, and that is not good at all.  I was also disappointed that there wasn’t one good dramatic transformation from Banner into the Hulk.  Having grown up with Bill Bixby and Lou Ferrigno, getting that good transformation has always been a necessary element to my satisfaction of the character.  The two transformations we get are not impressive.  The first is all in shadows, showing us next to nothing.  The latter is far too smooth, and done in slow motion.  It doesn’t reflect the rage-filled metamorphosis of the Hulk.

The action scenes are impressively well handled.  They are all exciting and unique with their own rallying moments.  Each hero is given the time to shine.  Everything really gets going when Captain America is sent to capture Loki in Germany.  Cap’ gets a ‘standing tall’ moment with a solid, yet succinct speech after saving a man’s life.  As the fight goes on, Iron Man joins in, and then, Thor makes his first appearance looking to retrieve his mischievous brother so to bring him back to Asgard.  Then, Iron Man and Thor throw down themselves, and it’s just great stuff.  Later on, as Loki manipulates the team to force his plan forward on board the S.H.I.E.L.D. helicarrier, Banner Hulks out under Loki’s subtle influence and fights with Thor.  That is one excellent fight sequence as you’ve got to know how they match up, strength wise, and seeing Hulk fighting to pick up Thor’s hammer, yet not being able to (since he is not worthy of the power), is also a stellar touch.  Many of the action scenes in the early half of the film help to evolve the team dynamic.  Showing Captain American and Iron Man working together to trying to get the hellicarrier’s engine operational again was good.  The Captain doesn’t know jack about modern technology, let alone any of Stark’s scientific talk, but they make it work.  Trust is slowly built up as they shake loose their individual trepidations about teaming up.

All in all, the character interactions are well balanced and greatly played by the cast, and they are the richness that makes the film enjoyable and entertaining while wrapped up in some exciting action sequences.  There are plenty of light-hearted beats and flourishes of humor that give it levity.  It opens up the characters further than before to be even more accessible and entertaining.  This is sort of the superhero equilivent of Ocean’s Eleven.  An ensemble cast rich with talent and chemistry that know how to share the spotlight and maintain the right tone throughout.

Leading up to this film I was not enticed by the marketing campaign.  It was just big explosions, action scenes, and a few comical quips from Downey.  It was not giving me what I wanted to see.  It was only a little word of mouth that gave me some hope for The Avengers.  So, while the film was not as bad as I feared it would be, it certainly wasn’t as good as many people have said it would be.  There is a lot of good action with good effects work and solid character realization and execution, but the plot just doesn’t have much substance.  I don’t get excited over spectacle alone.  I need a strong plot and story to make the action mean something.  The film could have been more than it was with more attention to thematic material and emotional depth.  Some fluff action or comical scenes could’ve been excised to make room for more character building segments.  Personally, I just ask for more than this from a superhero film with a lineage of strong, well-rounded outings like Superman, The Crow, Blade, Iron Man, Captain America, Watchmen, and The Dark Knight.  So, it’s sad for me to say that The Avengers is the least of the Marvel Studios films when it should have been the best.  Regardless, it is still a mass audience crowd pleaser, and for many, that is all they desire.  I just know that the filmmakers should’ve strived for more than that as others have before them.

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Thor (2011)

The marketing for Thor was real iffy.  Including a very uninspired poster campaign, it was very hard to tell from trailers and TV spots if the film worked balancing out drama, humor, and action along with the stark contrasts of our world and the fantastical realm of Asgard.  For me, I feel most films today are not marketed well or appropriately.  It seems more like the film has to adhere to what they want to market instead of the marketing adhering to what the film is.  Either that, or the advertising firm is a bunch of hacks who don’t know how to capture what’s special about the property.  Regardless, the trailers and TV spots didn’t sell me enough on the film to run out to theatres.  Later in the summer, Captain America: The First Avenger came along, I ran out to see it, and highly enjoy it.  However, some major plot points harkened back to the mythology of Thor,and so, I got the urge to see it if only to fill in any gaps that I was not aware of.  It was too late to catch it in theatres, and so, the DVD has arrived to help me out.  Simply said, I very much like this movie, and was highly satisfied at the end.  Of course, for those unaware, here is the obligatory synopsis.

Amongst the nine realms, the forces of Asgard, led by their king Odin (Sir Anthony Hopkins), and the icy realm of Jotunheim (pronounced Yodenheim) populated by the Frost Giants, led by Laufey (Colm Feore) have been enemies for countless ages.  After a great battle in Norway, 965 A.D., Odin and his courageous warriors defeat the Frost Giants and seize the source of their power, the Casket of Ancient Winters.  Many years later, Odin’s sons Thor (Chris Hemsworth) and Loki (Tom Hiddleston) grow to manhood, and while Thor is the great warrior ready to be granted the throne of Asgard, Loki is a mischievous practioners of magic and illusion.  However, the Frost Giants infiltrate the palace and attempt to retrieve the Casket.  They fail, but subsequent actions in retaliation of this by the impulsive and battle-hungry Thor and his warrior friends leave Odin in contempt of his oldest son.  As punishment, he banishes Thor to the realm of Earth, and relieves him of his greatest weapon and source of his power, the hammer Mjolnir.  From here on, the hammer and its power can only be wielded by one who is worthy of the power of Thor.  Thus, Thor must go through an evolution of character to prove himself worthy of being the man he needs to become.  On Earth, he comes into the graces of the young and passionate Jane Foster (Natalie Portman) and her astrophysicist team.  Jane gradually forms a caring relationship with the wayward son of Odin.  Meanwhile, Loki uncovers long held secrets, and plots his own rule over Asgard.  Amidst this, agents of S.H.I.E.L.D. arrive to examine and quarantine the downed Mjolnir which is embedded in stone like Excalibur waiting for its future king to wield it.

There is so much I could talk about here, but perhaps the best, most apprehensive aspect, is how all these different realms of existence are handled and balanced out.  Frankly, I think Kenneth Branagh succeeded in doing what very few probably could have done.  The scenes in Asgard and Jotunheim are wonderful.  They establish the grandeur of the society that Thor comes from.  He is used to a world of honor and glory.  A place ruled by gods that is magnificent in its visual spectacle.  The production design is fantastic here, and the realization of it all in CGI and set design is quite remarkable.  In Asgard, people speak with large, proud voices and passionate words of an extraordinary culture, and it all fits, it all works in this realm of gods.  When Thor is dropped to Earth, literally, he still acts this way, but to Hemsworth’s credit, I think it’s his charm that makes it all endearing to me.  It does comes off comically, but I feel Branagh and Hemsworth make it work because of that charm.  They handle Thor with gallant heart and compassion instead of some dumb brute who just doesn’t get it.  I, personally, did not find one joke misplaced, mistimed, or out of character.  Unlike in Green Lantern where all the Earth scenes were mishandled, poorly executed dead weight, and all the CGI’d otherworldly sequences were the real juice, Thor strikes the balance correctly.  This is also due to the plot being tightly crafted to keep the pace up, the emotional threads alive, and the plotline or character relationships developing throughout.  Branagh and his editor kept this a lean film from beginning to end.

The only detracting element of the film, for me, and what could’ve been used to make the Earth and Asgard realms stylistically different was the camera work.  The biggest gripe is the obscene, excessive use of Dutch angles throughout the film.  Usually, a Dutch angle is used to give a scene or the filmed subject an off-kilter feeling.  Here, it is used without an intended effect.  Branagh’s audio commentary on the DVD gives insight into this choice.  These are angles and compositions that were frequently used in the comics he saw and read.  So, he intended to translate that onto the screen.  He says that there was a concern that he may have been overdoing it, and I believe that concern was warranted.  The simple fact is that it’s annoying, and has no positive effect on the shots or scenes it’s used in.  There are Dutch angles used on crane shots, dolly shots, steadi-cam shots, static shots, and so on.  It was very distracting to me since I am more aware of it than most people likely are due to me being a filmmaker.  If Branagh used this style for just the Asgard sequences, and stuck to a more natural style of framing and composition for the Earth scenes, I think that would have enhanced the stylistic differences between the different worlds.  As it is, I think it’s exceptionally distracting because it is used with no real storytelling purpose in mind.

Now, where these Marvel Studios films have mostly excelled is in the casting.  Attracting some higher grade talents to fill these modern mythological roles is something that Richard Donner started with Superman: The Movie over thirty years ago.  Hemsworth is a slight exception to Robert Downey, Jr. and Edward Norton in terms of high profile talent, but he inhabits the dimensional role of Thor impressively well.  Again, his compassionate charm carries much of the character through, and allows an audience to connect with his personality.  He starts out as a temperamental, hot headed young warrior in search of battle over wisdom, but as the film progresses, more of his heart develops to show his depth.  None of us can really relate to the situation he’s in or the cosmic forces he’s battling against, and so, making the man and his emotional conflict relatable is the key.  When he turns on the action hero mojo, he continues to impress.  Hemsworth clearly worked out for many long months to create the physique of a god, worthy of myth and legend.  Furthermore, it is not easy to hold up your end of a scene opposite Sir Anthony Hopkins, but Chris Hemsworth did so with great success.  I think that says a good deal about how Branagh handles his actors, and helps them to balance their drama out.  However, I will take no credit away from Hemsworth because he greatly displays his wide range, powerful screen presence, and passionate commitment to his role.  And of course, Sir Anthony Hopkins really delivers well as Odin.  Who else do you get to play a role filled with this breadth of wisdom, power, compassion, and fatherly weight?  Hopkins brings a definite sense of history and wisdom with him.  He exudes strength, commands respect, but also demonstrates the moments of Odin’s weary age well.  He is also a hero of legend that does what he does because he is a good father, and knows what his son must go through to become the man he wishes to be.

The darker side of the spectrum is occupied by Tom Hiddleston as Loki.  What could’ve easily been a whiny character is handled with a fine breadth of dimension and intelligence.  Deceit and bitterness are what forge his character, and they live and breathe in an actor able to turn those elements back around as a weapon for Loki.  As others have deceived and used him, so he does to others in order to gain the power and authority he feels entitled to.  Hiddleston handles Loki’s devious nature quite well like a puppet master manipulating his pawns across a chess board to service his ultimate goals.  There is also the leader of the Frost Giants, Laufey, portrayed by Colm Feore.  Granted, the man is covered by a great deal of make-up and prosthetics, and his voice gets some post-production treatment.  However, Feore plays the darkly evil role subtlety.  A sullen, methodical villain that is not easily intimidated, and being a giant, does not back down from a challenger.  He achieves a lot by doing so little.  He uses the make-up to sell the character, but even without it, there would still be a chilling, memorable performance.

Natalie Portman has more than proven her worth as an exceptional acting talent over the last 15-20 years.  Sometimes, it’s hard to articulate what makes a great performance.  People get wrapped up in the grandiose awards show displays of performances, but great acting can be defined in many different aspects.  Here, Natalie portrays a role that is more subtle and graceful to win over an audience’s heart.  Maybe it’s just me being struck by how much more beautiful she has become over time, but I was very engaged by her in this movie.  Likely, it’s because she can project so much genuine, honest emotion on screen that it easily ensnares me.  Portman holds her ground well opposite Hemsworth, and their chemistry is very, very good.  As Jane Foster, Natalie projects passion, conviction, heart, and warmth here.  Jane is very enthusiastic about what she does, and the mystery around Thor is something she finds charmingly compelling.  She slowly involves herself more and more in his well being, and desires to know more about this peculiar stranger.  Their relationship slowly develops to a very honest and heartfelt romantic connection.  Jane’s associates allow for some good dynamics to bounce off of to give the character some context.  Portman really sells everything well, and at the end of the film, I truly feel hopeful for Thor and Jane Foster to reunite.

Again, I feel the production design of Thor is really great.  I was in real awe of the innovation and grandeur of Asgard.  There are no limits to this realm.  It is fantastical beyond known logic.  Branagh and his team really create a unique, colorful world worthy of legend, and the costuming reflects that creativity and detail.  The film doesn’t burn any unnecessary time away showing it off either.  On the flip side, there’s not much to say about the Earth scenes.  It’s a small town in New Mexico, and that feeling is captured well.

The visual effects, for the most part, are very well done.  There are moments or elements that don’t sell quite as well as others.  When the Destroyer (a fire spewing mechanical monster from Asgard) comes to Earth, the CGI construct does feel a little too artificial at times, but it’s mostly during its interaction with its live action counterparts.  I was glad that the Asgard scenes did not feel cheap.  They took a lot of time and attention to detail to make them hold up strongly throughout the film.  They are marvelous to behold.  The effects, like the production design, service the story and characters instead of overwhelming them.  That’s what visual effects are meant to do, and far too many filmmakers have forgotten that.  I’m glad to know that Kenneth Branagh is not counted among those filmmakers.  I’m not a supporter of 3D, and seeing this firstly on DVD, doesn’t even give me the option to watch it as such.  So, all my impressions of the film’s visuals are based on the traditional 2D viewing.

I’m also glad to be reassured that Branagh never degrades the film down to shaky cam action sequences.  They are shot with a good sense of geography and composition so that an audience can follow the scene competently.  Really, aside from those aforementioned Dutch angles, the film is shot with a great deal of emotion and epic stature.  The cinematography does have character.  The shots don’t just capture the personality of the performers, but they enhance them with how they captures them.  Much of the same compliments can be translated to the vibrant, powerful score by Patrick Doyle.

I feel the brightest praise I can give this film is the fact that when Thor finally reclaims his power, the thunder roars, and the lightning strikes, I was as choked up with momentous enthusiasm as I am during the helicopter rescue scene in Superman: The Movie.  The ascension of Thor’s greatness has reached a level equal to that rousing moment in the first blockbuster superhero film for me.  Perhaps that is only me, but I was so very entertained and engaged with this film to have that sort of emotional reaction.  What that really means is that the film was successful in every storytelling aspect from direction to acting to cinematography to music and beyond.  It made me feel for this hero, his journey, and his triumphs.

While the marketing left something to be desired in convincing me of the film’s quality, the actual film itself leaves no doubt behind.  It’s been laborious writing this review because there’s so much to praise that I didn’t want to leave anything significant out, but I had to limit myself to not scouring every single performer or detail.  Simply said, in this especially long review, is that Thor is another big win for Marvel Studios.  I’ve enjoyed all these films leading up to The Avenger including Captain America: The First Avenger and The Incredible Hulk.  Iron Man lit the torch, and while not every entry has been perfect, there has not been enough of a misstep to derail the cinematic plan that Marvel Studios has been carefully planning.  So, with a man I have a lot of confidence in directing the picture, Joss Whedon, I feel that climactic movie will be a great achievement.  I also highly look forward to what might be crafted for a direct sequel to Thor.